When one looks closely, what is revealed or concealed about the artist/curators' location in geography, time, and subjective identity positioning, when they re-present the work of their peers?

The artists organizing this exhibition are re-presenting artists who re-present artists. In what way does this exhibition's circularity of re-presentation highlight the issues of location and positioning? In this exhibition, as well as within the projects that are to be selected; artists are utilized for their roles as nodes within a seemingly infinite social field of physical and mnemonic networks. Participants are asked not only to provide examples of their curatorial projects, but also to make recommendations of other artist/curated exhibitions from their own memories. This process of linking artists expands exponentially, creating cyborg search engines that present findings or hits, which are linked within the tissue of a living network of disparate artistic communities.

We are asking the participating artist/curators to see their curatorial strategies as experiments within the social field of discursive and agonistic relationships. For this permutation of the exhibition, the participants' contributions will be re-presented in the form of displays within a science fair-like setting. This format intends to examine a specific practice in art through the middle-school equivalent of a science convention - where practitioners share strategies, developments, and distribute information within a community of their immediate peers.